SONG ORDER:
Lady GaGa - Poker Face
Kanye West - Love Lockdown
LMFAO - I'm in Miami Bitch
Ne-Yo - Closer
50 Cent - Get Up
2011年4月16日星期六
Chris Bravo - Call of the Ambulance - trackformerz
monday's at fly wellness just $5 starts at 8pm 12053 beamer houston tx 77089
2011年4月10日星期日
2011年4月1日星期五
LMFAO - Party Rock Anthem ft. Lauren Bennett, GoonRock
LMFAO "Party Rock Anthem"
http://bit.ly/e4eWLl
Music video by LMFAO performing Party Rock Anthem featuring Lauren Bennett and GoonRock. (c) 2011 Interscope
http://bit.ly/e4eWLl
Music video by LMFAO performing Party Rock Anthem featuring Lauren Bennett and GoonRock. (c) 2011 Interscope
2011年3月23日星期三
2011年3月17日星期四
2011年3月16日星期三
"Amazing dances of all times" / Antopio Hip hop dance 2011
Sickest freestyles / Antopio Flow-Mo. Watch in HQ. Music is bit off because of youtube.. More videos and his facebook profile:
http://www.facebook.com/pages/Antopio/61446024016
Part 2 and 3 coming soon.
2011 Hip hop dance freestyle breakdance toprocking Dance.fi
Juste Debout 3 times world finalist in experimental
Juste Debout Scandinavia Popping 2nd place
Juste Debout Finland popping 1st place
Juste Debout Finland hiphop newstyle 2nd place
Finnish Championships House 2nd place
Finnish Salsa amateurs 1st place
KPO Breaks old school bboying 1st place
Co-organizer of first Nordic Moves and SADE festivals.
Contact:
Facebook: Antopio
All antopio videos:
http://www.dance.fi/antopio_topi_sieva.php
Hiphop dance 2011 Break Dance 2011 Street dance 2011
http://www.facebook.com/pages/Antopio/61446024016
Part 2 and 3 coming soon.
2011 Hip hop dance freestyle breakdance toprocking Dance.fi
Juste Debout 3 times world finalist in experimental
Juste Debout Scandinavia Popping 2nd place
Juste Debout Finland popping 1st place
Juste Debout Finland hiphop newstyle 2nd place
Finnish Championships House 2nd place
Finnish Salsa amateurs 1st place
KPO Breaks old school bboying 1st place
Co-organizer of first Nordic Moves and SADE festivals.
Contact:
Facebook: Antopio
All antopio videos:
http://www.dance.fi/antopio_topi_sieva.php
Hiphop dance 2011 Break Dance 2011 Street dance 2011
2011年3月13日星期日
CWalk - Viet Jr. / Live From The Kitchen
Clown walkin in these new shoes meant for cwalking (Vestige) You can order these shoes at:
www.vestigeworld.net/forums
1st Song : P. Diddy ft. Pharrell - D.I.D.D.Y
2nd Song : J.R Writer - Live from the kitchen
This is the Clown Walk not the Crip Walk
www.vestigeworld.net/forums
1st Song : P. Diddy ft. Pharrell - D.I.D.D.Y
2nd Song : J.R Writer - Live from the kitchen
This is the Clown Walk not the Crip Walk
2011年3月11日星期五
Popping origins
In The late 1970's, one from The California group "The room Boogaloo" (early called "Electronic Boogaloo Lockers") to dance promotion, contributing to The part is due on TV program "Soul" The Train (Train) there is acting in [3]. The room Boogaloo claims about in 1975 and 1976 years, dance company founder Sam Solomon (Sam Solomon, say again Boogaloo Sam) under lock dance pioneer group "The Lockers" groups and The 1960s popular popular dance (fad dance) "The very" inspired, invented a group dance, also is now called poppin. In dancing, Sam in every bend muscle will say "pop" this word, and finally this dance, is called an "popping" Many "the room Boogaloos' story pleasure they Boogaloo Sam the basics of account up popping.
Other closely related dance style, such as robot Robotting) dance that are considered Poppin existed before, but also has believed in The early Boogaloo established before The room in The late 1960s, mechanical dance already exists in some form in Oakland, California, and this dance style also cannot back to any specific individuals or organizations. The mainstream media will mechanical dance and related to the dance substantial-as Breakin '" and so on film, but also because of all these dance style are called break-dancing troupe (Breaking), which brings the name on the confusion. Michael Jackson also contributed to the mechanical dance is popular, he dance movements such as the Moon Walk (Walk) are very finds known. But it also creates another name of confusion, because "moon" this dance in walking Michael Jackson sparring popular before, early with "backslide" (smooth) name appears in mechanical dance actions. The room Boogaloo oneself think: "when Sam create Poppin and Boogaloo, others are created and practice their own unique dance wind. At that time (USA) west bank every different area are in their own unique style. Its every style behind have a belongs to own wonderful story. But these areas also included in Auckland, Sacramento and San Francisco."
Popping the attainment experience Boogaloo Sam The founder of Boogaloo style SLIDE (NATE)
EB was born in 1977 Boogaloo Sam create The room Boogaloo Lockers - original team for: The room Boogaloo Lockers (1977, Fresno city, California) Boogaloo Sam THE founder of Boogaloo style SLIDE (NATE) : and Sam together set up dancing Robot Joe: OG members, Robotting is his main style Toyman Skeet: THE founder of Toy man style Ticking cd-rom to Sam learned: Ticking style Twist -o-galloylhyperin Flex Don: Don is THE most diligent Popper Hitting THE room BOOGALOOS (1978, LongBeach city, California) Boogaloo Sam: popping style and the founder of Boogaloo style popping Pete: Boogaloo Sam's brother Tickin Deck: Sam Boogaloo another brother Robot Dane: Sam and his Battle after becoming EB members (Sam won) Puppet Boozer: Sam teach him after Puppet style is famous for Creepin Sid: from Arkansas, learning Boogaloo Scarecrow Sculley: Sam taught him Scarecrow style Darryl (King Cobra) : snaking style of founder George (King python) : LongBeach doyenne popper one
Popping 的起源
在1970年代晚期，一个来自美国加州的舞团“The Electric Boogaloo”（早期被称为“Electronic Boogaloo Lockers”）对舞的推广贡献良多，一部份是由于他们在电视节目“灵魂列车”（Soul Train）上的表演[3]。
The Electric Boogaloo自己宣称大约在1975年至1976年间，舞团创始人山姆·索罗门（Sam Solomon，又称Boogaloo Sam）在受到锁舞先锋团体“The Lockers”团体以及1960年代流行的热门舞蹈（fad dance）“the jerk”的启发后，发明了一组舞步，也就是现今所称的poppin。在跳舞时，山姆在每次弯曲肌肉时都会说“pop”这个单字，最后这种舞蹈就被称为 “popping”Many confirm the Electric Boogaloos' story that Boogaloo Sam came up with the basics of Popping.。
其他密切相关的舞蹈风格，例如机器人舞（Robotting）等被认为在Poppin之前就已经存在，而也有说法认为早在The Electric Boogaloo成立之前的1960年代晚期，机械舞就已经以某种形式存在于加州奥克兰，并且这种舞蹈风格也无法回朔到任何特定的人或团体。
主流媒体将机械舞及其相关舞步的风行归功于《Breakin'》等电影，但同时也因为将所有这些舞蹈风格都称为霹雳舞（Breaking），进而产生了名称上的混淆。迈克尔·杰克逊也带动了机械舞的流行，他的舞步动作如月球漫步（Moon Walk）等都十分为人所知。但这也造成了另一个名称上的混淆，由于“月球漫步”这个舞步在迈克尔·杰克逊掀起流行前，早就以“backslide”（后滑）的名称出现在机械舞的动作中。The Electric Boogaloo自己认为：“当山姆创造出Poppin和Boogaloo时，其他人也在创造并练习自己的独特舞风。在当时（美国）西岸每一个不同的区域都以自己独特的风格闻名，而每一种风格背後都有一个属于自己的精彩故事。而这些区域也包括了奥克兰、沙加缅度和旧金山。”
Popping的心得体会
Boogaloo Sam
Boogaloo风格的创始人 SLIDE(NATE)
EB诞生于1977年Boogaloo Sam创建The Electric Boogaloo Lockers的时候 - 原始团队为: THE ELECTRIC BOOGALOO LOCKERS (1977,Fresno城,加利福尼亚州) Boogaloo Sam : Boogaloo风格的创始人 SLIDE(NATE) : 和Sam一起建立的舞团 Robot Joe : OG成员,Robotting是他的主要风格 Toyman Skeet : Toy man 风格的创始人 Ticking Will : 向Sam学习了Ticking风格 Twist-O-Flex Don : Don是最用功的Hitting Popper THE ELECTRIC BOOGALOOS (1978,LongBeach城,加利福尼亚州) Boogaloo Sam : popping风格和Boogaloo风格的创始人 popping Pete : Boogaloo Sam的弟弟 Tickin Deck : Boogaloo Sam的另一个弟弟 Robot dane : Sam和他Battle后成为EB成员(Sam赢了) Puppet Boozer : Sam教他后因Puppet风格而出名 Creepin Sid : 来自于Arkansas,学习Boogaloo Scarecrow Sculley : Sam教了他scarecrow风格 Darryl(King Cobra) : snaking风格的创始人 George(king python) : longbeach的元老popper之一
霹雳舞 (BreakDance) 的由来...
由来
Breaking、Breakdancing、Break Dance、Rocking都是霹雳舞，早期的霹雳舞叫做B-Boying，是20世纪60年代末70年代初起源于美国纽约布朗克斯区的一种技巧性很强的黑人舞蹈。霹雳舞者称为B-Boy(霹雳男孩)或B-Girl(霹雳女孩)，这里的“B”代表Break、Beat、Bronx或者Boogie，后来Break Boy被广为接受。 “霹雳舞”动感和节奏感非常强烈，跳起来可以尽情尽兴，青年人对跳这种舞简直到了如醉如痴的程度。霹雳舞起源于美国， 它的创始人是美国东海岸黑人歌星詹姆斯·布劳德。他于1949 年在电视上唱新歌时，自己创作了一种希奇古怪的动作，青年们竞相模仿，并在街头进行跳舞比赛。这种舞蹈传到西海岸络杉矶后，又出现了模仿木偶机器人动作的舞蹈。近几年来，美国东西两岸两大派街头舞蹈结合起来，深受青年们的欢迎，因这种舞蹈大都在街头表演， 故又称“街头舞蹈”。当很多人第一次看到霹雳舞的时候都会忍不住问：这些小子到底是从哪里学来的象这样的舞蹈。这是因为霹雳舞看起来和其它的舞蹈是如此的不同。对很多人来说；霹雳舞似乎没有一个出处；但事实上并非如此；在霹雳舞的历史中；被认为最重要的一件事就是霹雳舞是非常适合用来做街舞；它的表现形式很多：有头转、背顶、旋滚等，而且速度快、姿势优美。在很多青少年之间倍受欢迎。 Breaking、Breakdancing、BreakDance、Rocking都是霹雳舞，早期的霹雳舞叫做B-Boying，是20世纪60年代末70年代初起源于美国纽约布朗克斯区的一种技巧性很强的黑人舞蹈。霹雳舞者称为B-Boy(霹雳男孩)或B-Girl(霹雳女孩)，这里的“B”代表Break、Beat、Bronx或者Boogie，后来BreakBoy被广为接受。
History of Breakdancing
Breakdancing seems so different from all other kinds of dancing that the first question people ask when they see it is: "Where did these kids learn to dance like that?" To many people, this dance seems to have come out of nowhere. But like everything else, Breakdance did come from somewhere, something and someone. In the case of Breakdancing, that someone is the great superstar, James Brown, and the something is the dance, the Good Foot. In 1969, when James Brown was getting down with his big hit "Get on the Good Foot" the Hustle was the big dance style of the day. If you've ever seen James Brown live in concert or on TV, then you know he can really get down. And when he preformed his hit, he did the kind of dance you'd expect James Brown to do. High Energy. This almost acrobatic dance was appropriately enough known as the lot of kids around New York City.
By the time the Good Foot became the new dance style, the tradition of dance battle was well established. Dancers would gather at places like Harlem World on 116th Street in Harlem and Battle-dancewise. Battles are covered in more detail in the section on battles, challanges, and contests, but the important thing as fas as the history of Breakdancing is concerned is that Breakdancing was particularly well-suited for competition. And not only was the Good Foot well- suited for dance battles, it appealed to certain young men who were very athletic.
The Good Foot, which was soon to be called B-Boy and shortly after that Breakdancing, or Breaking, was very different from the Breaking we see today. In some ways it was simpler. There were no Headspind. No Windmill. No Handglides or Backspins. It was what is now called old-style Breaking. Old-Style Breaking consisted only of floor work, or Floor Rock, and in a way it was more complex than modern Breaking. There may be some small variations on the Headspin and a Backspin, but basically, a Headspin is a head spin and a Backspin is a back spin. But Floor Rock can involve some extremely complicated leg moves, and it is done very fast. And it did not take long before where were a lot of Breakdancing battles happening.
Among those for whom old-style Breaking was especially popular were many of the youths and street gangs that roamed the South Bronx. And it was in those streets that Breakdancing really started. Often, the best Breakers in opposing gangs would battle dance wise instead of fighting. They would battle over turf. Or because someone stepped on someone else's shoes. They might battle prove that their gang was better than the other gang. Sometimes they would make a contract that the loser would not go around to the winner's neighborhood anymore. Sometimes they battled just to gain each other's respect. Unfortunately, these Breaking battles did not always stop fight. In fact, they often would cause a fight, since dancers would sometimes get physical when they couldn't win dance wise. No one likes to lose. But today Breaking battles have, to a large extent, replaced fighting in the Bronx.
In this way Breakdancing crews-groups of dancers who practice and perform together-were formed. And soon formal crews organized, who not only practiced and preformed together, but who also developed their own dance routines. Some of these crews became very dedicated to their dancing, and since they had nothing better to do, would spend hours a day practicing, developing more and more complex moves, improving their form, and increasing their speed. And then Afrika Bambaataa came along. Bambaataa is the legendary grand master D.J. who is the individual most responsible for the successful growth of Breakdancing. He is a record producer and member of the Soul Sonic Force, who’s "Looking For The Perfect Beat" was chosen as the No.4 best single in the 1983 Jazz and pop Critics' Poll. Afrika Bambaataa is also the leader of the Zulu Nation in the Bronx.
In 1969, Afrika Bambaataa saw Breakdancing as more than just dancing. He saw it as a way to achieve something. He saw the potential of Breakdancing, and encouraged the dancers to keep at it. To work hard, and to believe that if they stuck with it, something good would come of it. Bambaataa then started one of the first Breakdance crews, the Zulu Kings. The Zulu Kings won a lot of battles and talent shows and preformed in various clubs in New York. At the same time they won a lot of adherents for the Zulu Nation.
Old-style Breaking remained popular until about 1977, when the Freak took over, based on the hit record "Freak Out" by the Shieks. Then around 1979 and early 1980 a new Breakdance crew was organized-Rock Steady Crew. Even though Rock Steady Crew was especially talented, a lot of people put them down being old-fashioned. But Bambataa encouraged them. He told them that if they stuck with it, something good would happen. He took them on, and soon they were performing at the Mudd Club, the Ritz, and other Punk rock clubs around New York. When Rock Steady performed for Malcom McLaren and Bow Wow Wow at the Ritz people started taking them seriously. Breakdancing Was In Again.
But the new-style Breaking was different from the old. Rock Steady added a lot of acrobatic moves. Breaking now included not only Floor Rock but Headspins, Backspins, Handglides, and Windmills. In 1981, Charles Ahearn made his Hip-Hop movie, Wild Style, a raw vision of rap singing, graffiti, scratching, and Breakdancing in the Bronx. Ahearn called on Rock Steady to do the Breaking and Rock Steady became the preeminent Breakdance crew and new-style Breaking became even more popular. When the spring of 1982 rolled around the Roxy was a well-established New York roller-skating rink. But the popularity of roller skating quickly began to fade, and in June of '82, Pat Fuji turned the Roxy into a dance club on Thursday, Friday, and Saturday night. The Roxy quickly became the Hip Hop center. It was here that rappers, D.J.'s, and Breakdancers would perform and hang out.
If you wanted to discover a Breakdancer for your show or video, you would come to the Roxy. Or if you just wanted to watch or learn some new moves, you would come to the Roxy. And the Roxy started to sponsor Breakdance contests, which would help the winners get more recognition. In June, 1983, Pat Fuji hired professional Jazz dancer Rosanne Hoare to run the Street Arts Consortium, whish was a house Breakdancing, rapping, and graffiti art. Rosy was going to officially establish a home for Hip Hop Culture. While the Street Art Consorium never really happened as envisioned, Rosy did provide a home for Breakdancers. She not only provided a place where they could feel at home, but she worked with them as a choreographer, helping to extend their dance possibilities. She also helped many dancer find commercial and performing dance work. Most importantly, Rosy was-and is-always there as a friend whom they can count on. She herself has taken up Breakdancing.
By the time the Good Foot became the new dance style, the tradition of dance battle was well established. Dancers would gather at places like Harlem World on 116th Street in Harlem and Battle-dancewise. Battles are covered in more detail in the section on battles, challanges, and contests, but the important thing as fas as the history of Breakdancing is concerned is that Breakdancing was particularly well-suited for competition. And not only was the Good Foot well- suited for dance battles, it appealed to certain young men who were very athletic.
The Good Foot, which was soon to be called B-Boy and shortly after that Breakdancing, or Breaking, was very different from the Breaking we see today. In some ways it was simpler. There were no Headspind. No Windmill. No Handglides or Backspins. It was what is now called old-style Breaking. Old-Style Breaking consisted only of floor work, or Floor Rock, and in a way it was more complex than modern Breaking. There may be some small variations on the Headspin and a Backspin, but basically, a Headspin is a head spin and a Backspin is a back spin. But Floor Rock can involve some extremely complicated leg moves, and it is done very fast. And it did not take long before where were a lot of Breakdancing battles happening.
Among those for whom old-style Breaking was especially popular were many of the youths and street gangs that roamed the South Bronx. And it was in those streets that Breakdancing really started. Often, the best Breakers in opposing gangs would battle dance wise instead of fighting. They would battle over turf. Or because someone stepped on someone else's shoes. They might battle prove that their gang was better than the other gang. Sometimes they would make a contract that the loser would not go around to the winner's neighborhood anymore. Sometimes they battled just to gain each other's respect. Unfortunately, these Breaking battles did not always stop fight. In fact, they often would cause a fight, since dancers would sometimes get physical when they couldn't win dance wise. No one likes to lose. But today Breaking battles have, to a large extent, replaced fighting in the Bronx.
In this way Breakdancing crews-groups of dancers who practice and perform together-were formed. And soon formal crews organized, who not only practiced and preformed together, but who also developed their own dance routines. Some of these crews became very dedicated to their dancing, and since they had nothing better to do, would spend hours a day practicing, developing more and more complex moves, improving their form, and increasing their speed. And then Afrika Bambaataa came along. Bambaataa is the legendary grand master D.J. who is the individual most responsible for the successful growth of Breakdancing. He is a record producer and member of the Soul Sonic Force, who’s "Looking For The Perfect Beat" was chosen as the No.4 best single in the 1983 Jazz and pop Critics' Poll. Afrika Bambaataa is also the leader of the Zulu Nation in the Bronx.
In 1969, Afrika Bambaataa saw Breakdancing as more than just dancing. He saw it as a way to achieve something. He saw the potential of Breakdancing, and encouraged the dancers to keep at it. To work hard, and to believe that if they stuck with it, something good would come of it. Bambaataa then started one of the first Breakdance crews, the Zulu Kings. The Zulu Kings won a lot of battles and talent shows and preformed in various clubs in New York. At the same time they won a lot of adherents for the Zulu Nation.
Old-style Breaking remained popular until about 1977, when the Freak took over, based on the hit record "Freak Out" by the Shieks. Then around 1979 and early 1980 a new Breakdance crew was organized-Rock Steady Crew. Even though Rock Steady Crew was especially talented, a lot of people put them down being old-fashioned. But Bambataa encouraged them. He told them that if they stuck with it, something good would happen. He took them on, and soon they were performing at the Mudd Club, the Ritz, and other Punk rock clubs around New York. When Rock Steady performed for Malcom McLaren and Bow Wow Wow at the Ritz people started taking them seriously. Breakdancing Was In Again.
But the new-style Breaking was different from the old. Rock Steady added a lot of acrobatic moves. Breaking now included not only Floor Rock but Headspins, Backspins, Handglides, and Windmills. In 1981, Charles Ahearn made his Hip-Hop movie, Wild Style, a raw vision of rap singing, graffiti, scratching, and Breakdancing in the Bronx. Ahearn called on Rock Steady to do the Breaking and Rock Steady became the preeminent Breakdance crew and new-style Breaking became even more popular. When the spring of 1982 rolled around the Roxy was a well-established New York roller-skating rink. But the popularity of roller skating quickly began to fade, and in June of '82, Pat Fuji turned the Roxy into a dance club on Thursday, Friday, and Saturday night. The Roxy quickly became the Hip Hop center. It was here that rappers, D.J.'s, and Breakdancers would perform and hang out.
If you wanted to discover a Breakdancer for your show or video, you would come to the Roxy. Or if you just wanted to watch or learn some new moves, you would come to the Roxy. And the Roxy started to sponsor Breakdance contests, which would help the winners get more recognition. In June, 1983, Pat Fuji hired professional Jazz dancer Rosanne Hoare to run the Street Arts Consortium, whish was a house Breakdancing, rapping, and graffiti art. Rosy was going to officially establish a home for Hip Hop Culture. While the Street Art Consorium never really happened as envisioned, Rosy did provide a home for Breakdancers. She not only provided a place where they could feel at home, but she worked with them as a choreographer, helping to extend their dance possibilities. She also helped many dancer find commercial and performing dance work. Most importantly, Rosy was-and is-always there as a friend whom they can count on. She herself has taken up Breakdancing.
Juste Debout NY 2011 Final Locking Battle
Final Locking Battle at first ever Juste Debout US prelims held in New York at the Brooklyn Lyceum. Feb. 5, 2011
Seiji and Kae vs Hurrikane and Firelock
Judges:
Khan
Legend
Brooklyn Terry
Meech
Seiji and Kae vs Hurrikane and Firelock
Judges:
Khan
Legend
Brooklyn Terry
Meech
2011年3月10日星期四
JUSTE DEBOUT 2011 China LOCKING JUDGE Locking Khan
JUSTE DEBOUT 2011 China
LOCKING JUDGE
LOCKING KHAN (ORIGINALITY)
FROM KOREA
WWW.BENNYSTREET.COM
LOCKING JUDGE
LOCKING KHAN (ORIGINALITY)
FROM KOREA
WWW.BENNYSTREET.COM
JUSTE DEBOUT 2011 JAPAN LOCKING JUDGE LOCKING KHAN (ORIGINALITY)
JUSTE DEBOUT 2011 JAPAN
LOCKING JUDGE SHOW CASE
LOCKING KHAN (ORIGINALITY)
FROM KOREA
WWW.BENNYSTREET.COM
LOCKING JUDGE SHOW CASE
LOCKING KHAN (ORIGINALITY)
FROM KOREA
WWW.BENNYSTREET.COM
2011年3月9日星期三
Interview to Popping Kite
L.B.: Hello, I’m Linda from Freezmix Website. Can you introduce yourself please?
Kite.: I’m Kite. I’m Japanese popper. My team is Former Action and The Reboot.
L.B.: When did you start dancing? Which category?
K.: Maybe I started in 2000, in Freestyle.
L.B.: Why did you choose the popping dance? What attracted you to this dance?
K.: The reason is because it can be unified with music.
L.B.: What do you feel when you dance?
K.: When I dance, my feel is nothing.
L.B.: We saw you at Juste Debout 2009, when you won popping dance class. What prompted you to attend his event?
K.: I wanted to dance with many dancers! Hahaha… (He laughs!)
L.B.: What do you think about French’s level in popping dance?
K.: I think that’s so high level!! Every time you learn from the dancers.
L.B.: How you got reference/example in urban dance?
K.: Salah, Bruce, Mike, Pepito, Dejawi, Sally, Sly and more…
L.B.: What are your personal and artistic projects?
K.: I’m being music!!
2011年3月8日星期二
Popping Freestyle (01/01/11)【HD】
Popping Dance 2011 - New year video. Popping on new years day 2011.
Pacman vs. Mr Fantastic SYTYCD
Robert Murraine vs Phillip Chbeeb
(So You Think You Can Dance)
Stronger Remix
Stronger Remix
Popping Kite Grooving after class
Popping Kite Grooving after class with some crazy stuff at the end.
2011年3月7日星期一
Wat is bboy ?
BBOY: breaking boy Besides, there BBOY DANCER HIPHOP. POPER. JAZZ. LOCKER. Wait, BBOY still divide two serious!
Actually B - Boy (Breaking Poping Locking) started early in 1983, there were already. At that time, we call "break". But this kind of foreign culture, at present in China also can say as a "popular" unable to blend in real life, so has until now been unable to will continue, and that information is limited, can really understand this cultural person is not much, because of this, for this kind of wen cannot fully professor to the next generation, so to 1987 Breaking, formed a kind of declining state even into an old-fashioned popular topic. "Break" course is kind of culture in abroad, but, but in a few years to domestic will become history.
Although Breaking stopped for a period of time, but in eight 0 at the end of the beginning of nine 0 but appeared many New dance groups (right now it has gradually formed used New used). Actually domestic at this stage dance type haven't share very clear, Breaking the play floor fewer people, but with Locking, mainly Poping, when sources of information is Japan. In nine of the 1930s when used it a New flourish, used, but the real people also can continue person is not much, in this time period existing are almost Old faces. In the nine 0 of the 70s, "street" the agitation of prosperity, just have again caught media attention. Besides hip-hop B - BOYING BREAKING, first a simple explanation help less understanding noun - HIP HOP brothers and sisters. "B" in the early 1970s have! Refers to the BEAT BEAT, or BEAT BEAT break-dancing troupe, so B - BOYING HIP HOP music just jump - the dancer, heard sister call GIRL on the New York city comes the BRONX, the BRONX, it is again a long time ago, by a black DJ called HERC COOL in the BRONX, do PARTY begin nickname, DJ by hand grinding record, racket can grasp to prospective oh, WuKe with racket for action, so there will be so-called < > BREAKING break-dancing troupe, floor action: of course! And dance stunt, most emphatically steps movement, HIP HOP have early - it used and late enjoying music tempo is used, the former secret, action turn to a single of tricks, and NEW used together, no longer say hands lay particular stress on a single skill, also, within a period of rhythm NEW used more changeable and smooth gu. Taiwan as early as six to seven years ago also started the HIP HOP wind, but the development - yet Korea diversity
Actually B - Boy (Breaking Poping Locking) started early in 1983, there were already. At that time, we call "break". But this kind of foreign culture, at present in China also can say as a "popular" unable to blend in real life, so has until now been unable to will continue, and that information is limited, can really understand this cultural person is not much, because of this, for this kind of wen cannot fully professor to the next generation, so to 1987 Breaking, formed a kind of declining state even into an old-fashioned popular topic. "Break" course is kind of culture in abroad, but, but in a few years to domestic will become history.
Although Breaking stopped for a period of time, but in eight 0 at the end of the beginning of nine 0 but appeared many New dance groups (right now it has gradually formed used New used). Actually domestic at this stage dance type haven't share very clear, Breaking the play floor fewer people, but with Locking, mainly Poping, when sources of information is Japan. In nine of the 1930s when used it a New flourish, used, but the real people also can continue person is not much, in this time period existing are almost Old faces. In the nine 0 of the 70s, "street" the agitation of prosperity, just have again caught media attention. Besides hip-hop B - BOYING BREAKING, first a simple explanation help less understanding noun - HIP HOP brothers and sisters. "B" in the early 1970s have! Refers to the BEAT BEAT, or BEAT BEAT break-dancing troupe, so B - BOYING HIP HOP music just jump - the dancer, heard sister call GIRL on the New York city comes the BRONX, the BRONX, it is again a long time ago, by a black DJ called HERC COOL in the BRONX, do PARTY begin nickname, DJ by hand grinding record, racket can grasp to prospective oh, WuKe with racket for action, so there will be so-called < > BREAKING break-dancing troupe, floor action: of course! And dance stunt, most emphatically steps movement, HIP HOP have early - it used and late enjoying music tempo is used, the former secret, action turn to a single of tricks, and NEW used together, no longer say hands lay particular stress on a single skill, also, within a period of rhythm NEW used more changeable and smooth gu. Taiwan as early as six to seven years ago also started the HIP HOP wind, but the development - yet Korea diversity
什么是bboy ?
BBOY:breaking boy
除了BBOY还有DANCER，HIPHOP。POPER。JAZZ。LOCKER。
等等,BBOY还分两个MOVE!
其实B-Boy（Breaking Poping Locking）的开始早在1983年就已经有了。在那时候，我们称之为“霹雳舞”。但，这种于国外的文化，目前在国内还只能称作为一种“流行”无法融入真正的生活，所以迄今仍无法将之延续下去，而且当时信息有限，能真正了解此文化的人并不多，正因为如此，对于这种文无法完善地教授给下一代，所以到了1987年Breaking，就形成了一种没落的状态甚至沦为一种过时的流行话题。“霹雳舞”在国外理所当然是种文化，但，到了国内却没几年就变成了历史。
虽然Breaking停摆了一段时间，但是在八0年代末九0年初却出现了许多新的舞蹈团体（此时Old School已渐渐形成New School）。其实国内在这个阶段的舞蹈类型还没有分得很清楚，玩地板Breaking的人变少，而是以Locking、Poping为主，这时信息的来源是日本。在九0年代中的时候New SchooL兴旺，Old school也大有人在，但真正能持续下去的人并不多，在此时期存在的几乎都是老面孔。到了九0年代末期，“街舞”的风潮兴盛，才有再度引起了媒体的注意。 再说街舞B-BOYING BREAKING,首先作简单的名词解释有助于较不了解HIP-HOP的兄弟姐妹们!"B"70年代初期就有啦!指的是BEAT节拍,或BREAK BEAT霹雳舞节拍,所以B-BOYING就是跳HIP-HOP音乐的舞者,听说妹妹叫FLY GIRL起于美国纽约市的布隆克斯区BRONX,是再很久很久以前,由一个黑人DJ 叫COOL HERC在布隆克斯区办PARTY时开始的昵称,DJ用手磨唱片,拍子可要抓的准喔,舞客随着拍子作动作,于是就有所谓的<地板动作>BREAKING霹雳舞,当然啦!还有多舞蹈特技,多半着重脚步的动作,HIP-HOP有早期的OLD SCHOOL和后期的NEW SCHOOL,前者音乐节拍较密,动作偏向单一的技巧表演,而NEW SCHOOL可以说手脚一起来,不再偏重单一技巧,同样的一段节奏内,NEW SCHOOL顾得更多变与流畅了.台湾早在6~7年前也开始了HIP-HOP风,但发展却还没有韩国多元化
除了BBOY还有DANCER，HIPHOP。POPER。JAZZ。LOCKER。
等等,BBOY还分两个MOVE!
其实B-Boy（Breaking Poping Locking）的开始早在1983年就已经有了。在那时候，我们称之为“霹雳舞”。但，这种于国外的文化，目前在国内还只能称作为一种“流行”无法融入真正的生活，所以迄今仍无法将之延续下去，而且当时信息有限，能真正了解此文化的人并不多，正因为如此，对于这种文无法完善地教授给下一代，所以到了1987年Breaking，就形成了一种没落的状态甚至沦为一种过时的流行话题。“霹雳舞”在国外理所当然是种文化，但，到了国内却没几年就变成了历史。
虽然Breaking停摆了一段时间，但是在八0年代末九0年初却出现了许多新的舞蹈团体（此时Old School已渐渐形成New School）。其实国内在这个阶段的舞蹈类型还没有分得很清楚，玩地板Breaking的人变少，而是以Locking、Poping为主，这时信息的来源是日本。在九0年代中的时候New SchooL兴旺，Old school也大有人在，但真正能持续下去的人并不多，在此时期存在的几乎都是老面孔。到了九0年代末期，“街舞”的风潮兴盛，才有再度引起了媒体的注意。 再说街舞B-BOYING BREAKING,首先作简单的名词解释有助于较不了解HIP-HOP的兄弟姐妹们!"B"70年代初期就有啦!指的是BEAT节拍,或BREAK BEAT霹雳舞节拍,所以B-BOYING就是跳HIP-HOP音乐的舞者,听说妹妹叫FLY GIRL起于美国纽约市的布隆克斯区BRONX,是再很久很久以前,由一个黑人DJ 叫COOL HERC在布隆克斯区办PARTY时开始的昵称,DJ用手磨唱片,拍子可要抓的准喔,舞客随着拍子作动作,于是就有所谓的<地板动作>BREAKING霹雳舞,当然啦!还有多舞蹈特技,多半着重脚步的动作,HIP-HOP有早期的OLD SCHOOL和后期的NEW SCHOOL,前者音乐节拍较密,动作偏向单一的技巧表演,而NEW SCHOOL可以说手脚一起来,不再偏重单一技巧,同样的一段节奏内,NEW SCHOOL顾得更多变与流畅了.台湾早在6~7年前也开始了HIP-HOP风,但发展却还没有韩国多元化
Bboy Pocket
Bboy Pocket from the Morning of Owl crew (south Korea) and the Breakin' Nest crew (south Korea/UK), filmed in Bristol, UK, 01/10/2010
2011年3月6日星期日
Kite "Japan" Urban Dance Showcase
http://www.urbandance.eu/show • The Urban Dance Showcase is a project to support the art of urban dance. Watch amazing performances by a top international cast from Europe, Asia and the USA. Styles: Choreography, Popping, Locking, HipHop, House, Breaking and more! • No Copyright infringement intended. I do not own this music. • WWW.URBANDANCE.EU
B-Boy Cico "Italy" Urban Dance Showcase | Breakdance Solo
http://www.urbandance.eu/show • The Urban Dance Showcase is a project to support the art of urban dance. Watch amazing performances by a top international cast from Europe, Asia and the USA. Styles: Choreography, Popping, Locking, HipHop, House, Breaking and more! • No Copyright infringement intended. I do not own this music. • WWW.URBANDANCE.EU
2011年3月5日星期六
Extreme Crew BOTY 2007 International
Extreme/Obowang Crew from Busan, Korea.
Uploaded by Bboy Tyson.
Thanks to Bboy Ty for providing us this video. :)
Uploaded by Bboy Tyson.
Thanks to Bboy Ty for providing us this video. :)
IBE 2010 - Longest BBoy Move - Jackhammers HD jeanaro 414 videos Subscribe
IBE 2010 - Longest BBoy Move - Jackhammers
Bboy S-Turtle - Big Toe Crew - unofficial trailer
Bboy Small Turtle, 14 years old, Big Toe Crew from Vietnam.
Trailer made by me (Kaio).
SONG:
Dj Pablo - Wild Style
Peace!
Trailer made by me (Kaio).
SONG:
Dj Pablo - Wild Style
Peace!
Green-tek (G-style, MZK) & Devious (G-style, MZK) .V.S. Baby Bang & Spazm @ Streetstar Sweden
Poppin final !
Greenteck & Devious (Zulu Kings) vs Baby Bang & Spazm @ Juste Debout Scandinvia 2011
Streetstar Sweden
Winners: Spazm & Baby bang
Judges:
Legend US(Popping)
Meech Fra(Hiphop)
Brooklyn Terry US(House)
Khan Kor(Locking)
Greenteck & Devious (Zulu Kings) vs Baby Bang & Spazm @ Juste Debout Scandinvia 2011
Streetstar Sweden
Winners: Spazm & Baby bang
Judges:
Legend US(Popping)
Meech Fra(Hiphop)
Brooklyn Terry US(House)
Khan Kor(Locking)
PacMan "USA" Urban Dance Showcase | Solo Performance
Urban Dance Showcase • Website: http://www.urbandance.eu/show
• PacMan "Phillip Chbeeb" from Texas, United States
• PacMan "Phillip Chbeeb" from Texas, United States
Mr Wiggles "New York" Urban Dance Showcase 2009 | Hip Hop Legend
Urban Dance Showcase • Website: http://www.urbandance.eu/show
• Mr.Wiggles (Steffan Clemente) from New York
• Member of Electric Boogaloos & Rock Steady Crew
• Interview: http://youtube.com/watch?v=ECotKb46nNw
• Steffan "Mr. Wiggles" Clemente is one of the most dynamic and influential figures in Hip Hop culture today. He is a member of the world renowned "Rock Steady Crew" and "The Electric Boogaloos." This multi-talented virtuoso is blessed with the ability to dance, act, choreograph, teach, produce music (one of his longtime passions) and is a gifted Grafitti artist. According to Ben Higa, writer for Rap Pages magazine, "Mr. Wiggles is Hip Hop's jack-of-all-trades -- skilled in Popping, Locking, Bboying, Graf-writing and MCing.
• No Copyright Infringement intended. We do not own this music.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
• Mr.Wiggles (Steffan Clemente) from New York
• Member of Electric Boogaloos & Rock Steady Crew
• Interview: http://youtube.com/watch?v=ECotKb46nNw
• Steffan "Mr. Wiggles" Clemente is one of the most dynamic and influential figures in Hip Hop culture today. He is a member of the world renowned "Rock Steady Crew" and "The Electric Boogaloos." This multi-talented virtuoso is blessed with the ability to dance, act, choreograph, teach, produce music (one of his longtime passions) and is a gifted Grafitti artist. According to Ben Higa, writer for Rap Pages magazine, "Mr. Wiggles is Hip Hop's jack-of-all-trades -- skilled in Popping, Locking, Bboying, Graf-writing and MCing.
• No Copyright Infringement intended. We do not own this music.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
Mr Wiggles "New York" Urban Dance Showcase | Popping Freestyle | Electric Boogaloos Crew
Urban Dance Showcase • http://www.youtube.com/urbandanceshow
• Mr.Wiggles (Steffan Clemente) from New York
• Member of Electric Boogaloos & Rock Steady Crew
• Facebook: http://facebook.com/UrbanDanceShowcase
• Website: www.urbandance.eu
• Steffan "Mr. Wiggles" Clemente is one of the most dynamic and influential figures in Hip Hop culture today. He is a member of the world renowned "Rock Steady Crew" and "The Electric Boogaloos." This multi-talented virtuoso is blessed with the ability to dance, act, choreograph, teach, produce music (one of his longtime passions) and is a gifted Grafitti artist. According to Ben Higa, writer for Rap Pages magazine, "Mr. Wiggles is Hip Hop's jack-of-all-trades -- skilled in Popping, Locking, Bboying, Graf-writing and MCing.
• Mr.Wiggles (Steffan Clemente) from New York
• Member of Electric Boogaloos & Rock Steady Crew
• Facebook: http://facebook.com/UrbanDanceShowcase
• Website: www.urbandance.eu
• Steffan "Mr. Wiggles" Clemente is one of the most dynamic and influential figures in Hip Hop culture today. He is a member of the world renowned "Rock Steady Crew" and "The Electric Boogaloos." This multi-talented virtuoso is blessed with the ability to dance, act, choreograph, teach, produce music (one of his longtime passions) and is a gifted Grafitti artist. According to Ben Higa, writer for Rap Pages magazine, "Mr. Wiggles is Hip Hop's jack-of-all-trades -- skilled in Popping, Locking, Bboying, Graf-writing and MCing.
Salah "France" Urban Dance Showcase | Popping & Comedy
Urban Dance Showcase • Website: http://www.urbandance.eu/show
• Salah from France
• Salah from France
salah 2011 funk for life volume 1 with prince paltu -ob
the first old school funk battle in the philippines
category: 2 on 2 locking, 2 on 2 popping, 1 on 1 b-boying
judges: salah (france), aga (taiwan), prince paltu-ob (phil.) b-boy dizee (canada) and jay masta (phil.)
jan 8 2011
category: 2 on 2 locking, 2 on 2 popping, 1 on 1 b-boying
judges: salah (france), aga (taiwan), prince paltu-ob (phil.) b-boy dizee (canada) and jay masta (phil.)
jan 8 2011
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